FOURTH WORLD THURSDAY - "KING OF THE DAMNED! I CAN FINISH YOU NOW!"

NEW GODS #2 COVER BY JACK KIRBY

Once again, it's time to take a look at Jack Kirby's great cosmic opera that has become known over time as The Fourth World. With this installment, we return to the centrepiece of the King's meisterwerk, "The New Gods".
This second issue begins with what is known in TV circles as a "cold open", a five page "pre-credits" sequence which starts with a splash page recapping some of what we have seen before. That after the cataclysm that destroyed the Old Gods, two worlds were born, the hell of Apokalips and the heaven of New Genesis. Then, a quick visit to Supertown where we find High-Father, leader of the New Gods (New Genesis Division), communicating once again with the mysterious source. "WAR - FOLLOW ORION" says the enigmatic flaming hand. The message is clear. Others from New Genesis must join Orion in the war on Earth. The annoyingly chirpy Lightray is the first to volunteer, but High-Father forbids hims to go. "The time is not yet!" proclaims the bearded one. "It is my command!"
Thus endeth the pre-credits sequence.
Back on Earth, Orion and the four Earth people he rescued last issue, detective Dave Lincoln, secretary Claudia Shane, typical teenager Harvey Lockman and insurance salesman Victor Lanza arrive at Lincoln's apartment only to find Darkseid waiting for them. Orion promptly accuses old stoney face of breaking the treaty by kidnapping the humans, to which Darkseid's nonchalant response is simply "I dare anything! I am Darkseid!"
Leading to an interesting exchange between the two.

ORION: "King of the damned! I can finish you now!"
DARKSEID: "Finish me --and you finish yourself! You hesitate, Orion! You can sense why--but you
don't know--do you--? But Darkseid is free of mysteries! He can act!"

At which point Orion is jumped from behind by one of his stooges called Brola, whose weapons of choice appear to be one hand that is made of stone, and a cattle-prod in the other hand. The battle is short-lived as Orion pitches Brola straight through the apartment wall. Both Darkseid and his minion promptly disappear, teleported away to one of Granite Puss' secret bases under the city.
A quick thought here. Was Lincoln able to claim on his insurance to the damage to his apartment? Or did the company refuse to pay out claiming it was an "Act Of God"? But I digress.

Desaad and his Fear Machine.

In his secret base Darkseid gives Brola a literal kick up the backside, sending him whimpering away and pops over to see #1 henchman Desaad, who we saw briefly in the Forever People last week. Now with a name like Desaad, what sort of person do you think he is? Yep, a sadistic weirdo! Not just ANY sadistic weirdo though, he's a mad scientist sadistic weirdo, coming up with all manner of bizarre machines with only one intention - to cause as much pain, mental or physical, as possible. 
The newest of these contraptions is "The Fear Machine". Hmmm! I wonder what that does? I'm sure we'll find out soon. Very soon actually as Darkseid demands a demonstration. And he doesn't want to waste time for Desaad to get his test subjects so he has it used on some his minions. Who are reduced to quivering, terrified wretches. Darkseid hopes that by reducing the whole city to such a state, he will discover the mind that holds the Anti-Life Equation. Ah, yes, the Anti-Life Equation. It's been mentioned a few times so far both here and in the Forever People, but it's here we are told by Darkseid just what it is. What the Equation actually does is remove free will, for someone who has no free will cannot truly be alive.
Back at Dave Lincoln's apartment, Orion decides to bring his disciples... er, new friends up to date with the story so far. Which is also handy for new readers. How convenient!
He produces a Mother Box which shows the foursome a "previously on Jimmy Olsen and Forever People" style update. Interestingly, as well as scenes of Mantis, The Wild Area and a Boom Tube, we also get a hint of a future storyline when we get the briefest of sights of the undersea creatures "The Deep Six".
Meanwhile Desaad has powered up his Fear Machine and set it loose on the area. Orion quickly sets out to find the source of the invisible beams causing panic in the city. Which doesn't take long as Mother Box soon tracks the origin to an advertising hoarding behind which the full scale version of Desaad's nightmare machine is hidden.
One quick burst of astro-force later, the Fear Machine is done with and Orion returns back to Lincoln's apartment where his new found friends swear their allegiance to Orion's cause.
Back at their secret base Desaad and Darkseid are studying the results of the experiment, which in the end didn't yield the hoped for results. The Anti-Life Equation still remains hidden. Desaad is quick to blame Orion, but Darkseid doesn't quite see it that way...

DESAAD: Orion has made a mockery of this test! When we capture him -- give him to me!
DARKSEID: You're a fool, Desaad! Blinded by your own mania! We could never take one such as Orion captive! His kind dies in battle! And in death would look greater than a vermin like you!
DESAAD: So! The great Darkseid rises quickly to the defense of an enemy!
DARKSEID: Orion is an enemy to be respected!
DESAAD: Yes, it is strange how very like us he is -- in his fierceness and --
DARKSEID: Silence, Desaad! Were Orion my own son -- he would mean nothing to the purpose of our mission! And in that mission we must not fail!

In the last issue High-Father admitted that Orion was not born of New Genesis, and now Darkseid is dropping some pretty heavy handed hints about his true origin. We shall, of course, learn more in due course.

Looking back at this issue, not much actually happens. Orion has a brief fight with Brola and then smashes a billboard. There's a lot of exposition, although it is fairly well done, unlike some of Kirby's early Jimmy Olsen issues where it seemed to be shoehorned in. What is apparent though is the overall vision that Kirby had for the series is mostly in place, unlike those early Jimmy Olsen's which at times seem to have been made up as he went along.
And the best is yet to come...
Join me next week for another Fourth World Thursday.
See you soon,
Steve

FOURTH WORLD THURSDAY - "FIRST TO APOKOLIPS -- THEN TO EARTH -- THEN TO -- WAR!"

NEW GODS # 1 COVER BY JACK KIRBY

And so we move on from the raw recruits, The Forever People, to the seasoned veterans as we begin our look at, for me at least, the greatest of the Fourth World titles - The New Gods. And it begins with, not as you may expect a prologue, but an epilogue...

PROLOGUE... I MEAN EPILOGUE!

"There came a time when the Old Gods died! The brave died with the cunning! The noble perished, locked in battle with unleashed evil! It was the last day for them! An ancient era was passing in fiery holocaust! The final moment came with the fatal release of indescribable power--which tore the home of the Old Gods asunder--split it in great halves--and filled the universe with the blinding death-flash of its destruction! In the end there were two giant molten bodies, spinning slow and barren -- clean of all that had gone before -- adrift in the sounds of cosmic thunder... Silence closed upon what had happened -- A long deep silence -- wrapped in massive darkness... It was this way for an age...THEN -- THERE WAS NEW LIGHT!"

And which universe was it that had died? Kirby obviously intended for it to be a representation of the Marvel Universe. I've said before that Kirby may well have intended to introduced the New Gods in the pages of Marvel's Thor comic, with the intention of having the Norse Ragnarök which is described by Wikipedia (I know, I know, not the most reliable of sources) as "a series of future events, including a great battle foretold to ultimately result in the death of a number of major figures (including the gods Odin, Thor, Týr, Freyr, Heimdall and Loki), the occurrence of various natural disasters, and the subsequent submersion of the world in water. Afterward, the world will resurface anew and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors."
Well, that sounds about right, doesn't it? And, if you look very carefully, on the first page of the epilogue/prologue, there appears to be a figure in the heat of battle with a winged helmet about to smite an opponent with what might -- just might -- be a hammer.
If you think about it, Kirby was once again, as usual, well ahead of the rest of the industry. If this WAS his plan at Marvel, it would have changed the Marvel Universe forever. In other words one of those cosmic events after which nothing would ever be same (until a handy reset button is pushed later on) that have become de rigueur on an almost yearly basis in modern superhero comics. 

Orion, our hero and not the happiest of chaps!

Anyway, back to the issue at hand. In this two page prologue/epilogue Kirby somehow portrays a literal cosmic level of war and destruction and rebirth. And in the final panel, hurtling towards the reader we meet our one of our heroes, Orion, en route to his home world of New Genesis. As he arrives he is greeted by Lightray, another of the eponymous New Gods. Lightray's a rather exuberant chap with the ability to manipulate light and fly really fast. His cheerful demeanor is at odds with Orion's more belligerent nature, although the two seem to be good friends. Together they descend to the paradise that is New Genesis and the floating city Super-Town, glimpsed all too briefly in the premiere issue of Forever People, now seen it all it's magnificent Kirby glory.    
And it's in Super-Town that we are introduced to more of our ensemble cast. First there's the intellectual Metron, who rides around in his floating Mobius Chair and is obviously not fully trusted by Orion who suggests that Metron would sell the universe into slavery for a scrap of knowledge. And then there's High-Father, the leader of the New Gods, who resembles nothing more than a Moses-style prophet, complete with beard and magic staff. And it's High-Father that's summoned Orion home for a trip to the Burning Bush, er sorry The Source. They approach a blank wall on which a fiery hand mysteriously appears to write enigmatic messages. Time for a not-that-awkward exposition scene

HIGH-FATHER -  This wall is our link to the "Source". It lived, even as the old gods died!
ORION - That is so! It is eternal! It is the life equation! And it's power is part of your Wonder-Staff!

Oooh! A "life equation!". Last time we had Darkseid searching for an "anti-life equation". I wonder that's all about?

Apokolips. Not a nice place to visit!

So the burning finger writes it's message and it says "ORION TO APOKOLIPS--THEN TO EARTH--THEN TO WAR!!!!" Apokolips is, of course, the dark mirror image of New Genesis, a world whose surface is scarred by volcanic furnaces called energy pits. A world of labour camps, ugly buildings housing uglier machines. And it's ruled by, as we've seen before, Darkseid.
Orion is quickly out of the door, leaving Metron to suggest that Orion is a rather untypical child of New Genesis. In fact, he really could only be a product of another world -- Apokolips! A fact that High-Father reluctantly admits.
Meanwhile Orion spends six pages fighting his way through Darkseids' defences, the flying "Para-Demons", the canine "Dog Cavalry", and various other minions, only to find the stony-faced tyrant isn't home. He is of course on Earth, as we've already seen, leaving a super-computer called a "Mass-Director Unit" to rule in his place. 
Darkseid may not be home, but his son is. Kalibak is a big Neanderthal type with a big club. He is ready to take on Orion, but Metron pops up in his Mobius Chair (oh, didn't I mention it also travels through space and time?) and stops the battle before it even starts. And then - you've guessed it - another exposition scene, this time to bring readers up to date with what we've already seen, or at least as been hinted at, in the pages of Jimmy Olsen and Forever People. That Darkseid is on Earth, looking for the mysterious "Anti-Life Equation" which is apparently buried deep in the subconscious mind of some unsuspecting human.    

Metron then points out that Darkseid has even brought humans to Apokolips to probe their minds here. This is apparently against the rules according to Metron, leading Orion to exclaim "Darkseid has defied High-Father himself!"
All of which hints at some treaty between the two planets, which, as we will later discover, is indeed the case.

And so it begins...

Orion finds four humans in the next room, sets them free and summons a Boom Tube to take all five of them to Earth, where Orion tells the humans that they have been caught in the crossfire of a war between two worlds, in which Earth has become the latest battleground. And then, against a stormy background, Orion calls Darkseid out. And on the last page, a masterpiece of Kirby art, Darkseid replies "I hear you, Orion! The battle begins!"
And thus ends the first issue of The New Gods. By far the best issue of the Fourth World so far, Kirby's storytelling jumps up a notch or six, and his art too is elevated to a whole new level, from the opening Fall of the old Gods, through the depictions of Super-Town and Apokolips, to Darkseid's chilling final page appearance against an eerie green storm. And, as they say, the best is yet to come!
One final thought or two. This was the second story Kirby did for DC after his return and in some ways feels like it should have been published first. I, however like the fact that it was actually published fifth, allowing a degree of mystery to build up through the preceding issues of Superman's Pal Jimmy Olsen and Forever People. Not that you need to have read any of the earlier Fourth World books to enjoy this. It stands perfectly alone, despite it's connections to the three other titles.
Next time on Fourth World Thursday, we've met the raw recruits, we've met the seasoned veteran, now it's time to meet the conscientious objector - Mr. Miracle.
See you soon,
Steve